Did the group have a philosophy to the band's stately sound it was known for? "It more or less developed from the first album. We were fairly serious about what we were doing," said lead singer Gary Brooker said [sic] in a phone interview. "We tried to do something different every time. Grand Hotel came after a live album, which was comparatively easy to do. We hadn't been in the studio and were raring to go."
The digital transfers from analogue tape for the new releases was done by Rob Keyloch at Church Walk Studios and the mastering by Nick Robbins at Sound Mastering Ltd. Brooker said the group was impressed with the work done on previous remasters, so, "... if it's not broke, don't fix it."
Of the bonus tracks and outtakes, he says, "I've always collected what we've done that day. I still have the tapes sitting in cupboards. There's not a lot of stuff that's outtakes. There might be a rough mix or basic live recording before the band put other stuff on it. It's nice for young musicians that to hear you don't start off with the band playing a (full) song. This is as basic as it gets."
Procol Harum will also embark on a limited tour of the US and Canada in November. The Canadian dates will include a reunion with the Edmonton Symphony, with whom the group recorded the superb Procol Harum Live: In Concert With the Edmonton Symphony Orchestra in 1972. The album was the group's most successful release, peaking at number 5 in the U.S., according to All Music Guide. Brooker says the band has "a great fondness" for the orchestra. He says the original members will be in the audience that night. "When their granddad tells them he was on Conquistador, the grandkids will go, 'Yeah. Looking forward to it.'"
Read the whole story, and see the illustrations and the clip, here
Procol Harum concerts in 2010: index page | Read the whole story in its original context here